ethereal, haunted deep house music from beyond the grave, spirit-channeling from the deepest recesses of electro-spiritual obscurity. the slow to speak label presents its latest offering—a residual of the holy-era of the ny underground continuum, conjuring the ritual and pomp of the new electronic goth without abandoning its undeniable roots in the techno/deep house story. dark-matter melodies interlock in an ever off-centering orbit of sparse percussive return, while the distorted exhortations of some wandering intergalactic phantasm whisper menacingly just beneath the surface. trance-inducing, strangely unsettling and ultimately transcendent—further evidence that electronic music can transport its listeners into the fertile pastures of the sublime like any other high art. clear vinyl pressing with japanese obi.

adam jay’s “mediastinum ep” is the product of a near death experience turned into an opportunity to create. after experiencing acute trauma to the left lung, the artist was diagnosed with pneumomediastinum, the sounds featured in the production of this record were recorded in the intensive care unit at community east hospital in indianapolis. “inward” is a raw, stripped down stomper filled with anxiety and a pace of purpose. the a2 track, “terrible precision” brings an atmosphere of tension and darkness that drives the ep forward. the synth groove of “chatter” sits atop the recordings of medical monitoring equipment intended to alarm the listener. the unsettling dischord created is contrasted by a powerful low end groove. “concert of the machines” comes with an addictive half time broken beat groove. the warm, effected electric piano work plays off more alert sounds from the hospital room creating a chilled out vibe that is ideal for closing a set. already support from justin berkovi, nigel richards, gayle san, tony rohr, andrei morant, and brian kage.

with the deep circus 011 we present you lilith, a young talented artist from los angeles who delivers an impressive debut on our imprint. raised in several european countries, lilith was exposed to many cultures, musical tastes and traditions. she was classically trained in piano at an early age, and enjoyed a full spectrum of music genres, from classical to punk. a passion for electronic music grew early on and after a move to dublin ireland, she began digging deeper into the music, stared producing and achieved her own unique style, which has been described as a fusion of deep, dark, dubby, and sexy minimal with house/techno rhythms. a kind of style that really hits your ears and brain, which makes us even happier to present lilith engine repair e.p. on our deep circus label. besides the original tracks *engine repair* and *silicone*, the record contains two massive remixes by oliver klein and sweet n candy.

kicking off a big year for apple pips with something tasty and different from komon & appleblim! having worked together on remixes for respected labels like ninja tune & aus, appleblim & komonazmuk (now going under the name komon for his house/bass productions) started jamming in the studio on some original material. messing with boundaries and having fun was the order of the day, and what we have here are two of the first results… ’gas jam’ is a bassline-led roller with a nod to both classic uk garage & the futuristic house & techno vibes of uk bass music. getting dropped on rinse fm on both the marcus nasty & hypercolour shows, & with eats everything & carl craig supporting it already you can hear why it appeals to open minded and diverse djs.. ’silencio’ shimmers and shines on a glooped-out balearic/kosmiche beat, an 80s soul soundsystem bassline funks on through and leads you into a woozy blissed out climax…slo-mo house/bass balearic bizniss… with more collabs with appleblim to follow this year, his new productions getting props from all angles, & releases lined up on hypercolour, komon’s year is shaping up nicely!

san francisco label public release recordings steps boldly into 2013 with a new single from woolfy (a.k.a. simon james). juniors throwin craze is a slinky ode to the kind of red-eyed madness symptomatic of round the-clock hardcore partying. that is to say, its another late-night anthem rooted in the playful sound of west coast sleaze.

reso “tangram remixed” features koan sound, om unit, billain and doshy remixes on the 12&#8243,,, vinyl plus the digital bundle also includes starkey, drop the lime, dj kentaro, danny scrilla, evol intent and emperor remixestangram remixed opens with koan sound tackling ‘axion’, pushing the tracks rhythmic possibilities yet further the oswla signed duo switch the glitching beat complexities into halftime stepping bliss.

nokoman dropped out of the sky into the dunes off lookhill. all he said was:i want to use your sp1200 and your cell phone

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

the detroit threads record store has survived in one incarnation or another for more than16 years. in this time personal relationships have formed with music makers of every circle over the common bond of vinyl sound. it was a logical step to give back to this community a product that reflects the many faces that make up the store. a store that has been and will continue to be a hub for the exchange of ideas, kept alive by like minded people who still believe in the independent detroit spirit. this spirit shines upon the unique artists that move to their own beat, and never compromise their vision. detroit threads gives a voice to these artists that should be heard. nospectical is walter wasack, jennifer paull, and chistopher mcnamara. they are a team of detroit sound artists that lean into e.d.m. on the minimal tip. their comfort zone is inside of a sounds cape near the sphere of unconsciousness. nospectical is a cool dark breeze that is alive with a pulse. they tread into strangeness and let it come together to form a neurotic world. nospectical works to broaden the view and redefine the depth of detroit techno. detroit threads is proud to support this cause.

the man from bologna makes his second appearance on internasjonal spesial and so it doesnt have to waste no time with friendly formalities but storms right into the middle of the night with the lethal tracks disko frisko and labyrinth disco - titles that dont hide their intention nor inspiration

streaking through the ether at twice the speed of sound, mr 8040 is on a date with destiny. he is heading for mikrosector-50, his home planet, but things are not going as smoothly as planned. en route he finds himself in sticky situations, cosmic encounters that trigger flashbacks to a different time and place. will he ever make it home? and who – or what – is he running from?
this, more or less, is the narrative thrust of jack hamills debut album as space dimension controller. welcome to mickrosektor-50 is a swashbuckling sci-fi odyssey that unfolds like some long-lost star wars episode scripted by philip k dick and scored by tangerine dream. the record is fantasy in its purest form: a futuristic boys own adventure concocted in a belfast bedroom, it is the sum of jacks musical influences distilled into 68 minutes of unalloyed electronic pleasure.

prolific dutch producer roel funcken has established himself an agile, meticulous sonic craftsman whose output has consistently been as accessible as it has innovative. most recently, he opened for flying lotus and tipper during his last us tour. as half of the group funckarma, he has recorded for esteemed labels including skam, ad noiseam, arcola (warp), isophlux, marguerita, and others. for mercury retrograde, his first release on schematic, funken taps into textures reminiscent of the mid 90s drum n base sub genre tech step, the lush downtempo of bristol, and hans zimmer’s soundtrack work. this latest release adds to the ever evolving, rich, and inspired catalog of funcken.

entering fresh into 2013, rejecteds first release is from highly respected dj and producer ross evans aka ross evana

ltd 200 copies! focused in the rhythm a new sound is coming. minds kept frozen, heads moving up and down confused into the smoke. time has stopped. music as nexus. expand our doctrine.

rekids have teamed up with detroits fit distribution and enlisted the services of motor city locals marcellus pittman and urban tribe to put the 313 sound on *working* and *taxi talk*. on the former, marcellus pittman lays down his trademark blend of mechanical yet jerky old-skool drum machine rhythms and disorientingly dissonant, tripped-out synth chords – creating a somewhat eerie atmosphere that evokes images of detroits manufacturing plants of yesteryear. on the flipside, urban tribe transform *taxi talk* into a big room monster, using rumbling synth bass, electronic bleeps and laser gun snares to transport us back in time to a dark and hazy 90s warehouse rave.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

as we are beset by the darkest of seasons, let sequencias provide a score to fit the mood. presented in two parts, *hybrid furrows* marks the second transmission of the mysterious healing force project from treviso, italy. the first part is a dense, introspective overture. a ceaseless minor key drone lays the path for deep thrumming gong-like pulse and shuddering percussive textures. a song without a coda, a dream without resolution, it simply dissipates like fog—never revealing it’s center. the second part is similarly monolithic in nature, but crafted more for movement than meditation. it is vicious arpeggiated psychedelia, sharp enough to cut into the deepest recesses of your psyche. both tracks were recorded live in one take. vinyl only.

daniel dexters reputation as party starter extraordinaire keeps on growing a result of his punishing touring schedule and consistently exceptional output of some of europes top electronic labels.

the prodigal prince of flying fauna. the illegitimate child of zeus, whose lingering melodies have enchanted man anonymously since the dawn of time, only to explode into the psyche now with deep, thundering, bass-hooves of fury.

finest mixup between smooth detroit house and driving techno. the wide ep cuts two titles into deep wax, >marks< and >wider< have been highlights of teyseras live set for quite some time now, finally out on vinyl.

the first edition of the new album soundsculptures vol. 1 containing 9 previously unreleased songs has been completed. in a 3x12 fully jacketed album format, split into 3 individual pieces of vinyl, hence the three matrix numbers. super versatile new album from deep vocal tracks with live instrumentation to the rougher cut-up stuff of his early carrer. incredible! repress

made fresh daily follow up killer 12 inches from geddes and mikki funk with the debut solo ep from rising house producer jackmaster k. though indebted to the current vogue for the sounds of 90s house, jackmaster ks productions are filled with enough unexpected twists and turns to keep the formula fresh, *house aint givin up* switches things up with its nyc electro stabs, saxophone solo and swelling sub-bass, while *get up* takes things into deeper territory with its thick bassline and dubbed out, candy sweet rhodes melodies. on the remix, james johnston flips *get up* inside out, giving it some classic new jersey bump and flex, and busying up the arrangement with added organs, while rosenhafts take on *house aint givin up* is much more expansive, allowing the bassline to breathe in a spacious composition of pitched vocals and drawn out chords.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #17 is an all-out return to the glory of filtered disco house! it is packed with disco breaks and cut ups, some recognizable and some obscured through time. pairing the editing fire of eddie c and alkalino on the a side and the groove-based filtering of cole medina and osmose on the b-side. make no mistake, each of these will fit perfectly into either house or disco sets and can bridge the gap betwixt the twain.
already supported by dead rose music company, ali ooft, cole medina, horse meat disco, saint petersburg disco spin club…, ...

white vinyl. stromg limited. the new release by thomas kress, >utilize me<, is proper electro funk mixed with the modern era of growling bass lines, hypnotising sequences and technoid dynamics. the tracks compress dark synths, vocoderized voice-samples and impulsive arpeggios into a minimalist constructed and organic mesh of sound. featuring additional remixes by dynamik bass system and tecroc, the release includes a total of six tracks and presents a diverse spectrum of revolving electrophonic sound worlds.

luciano breezes into cadenza musics 10th anniversary year with a new single, cachai/dance unity!

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

the new vinyl release by stefan gubatz features unreleased new dance floor versions of his tracks >byte and scratch< and >offshore< (which had originally appeared as electronic versions on cd) which appear now exclusively for the first time on the telrae vinyl 10 inch series as reworks. >byte and scratch rework< generates a subtle form of urgency which slowly step by step takes possession of yours and does not loose its grip till the very end. stefan has reworked the original for the club, has kept many details in the process of the sound shaping while on the other hand has changed the arrangement and dominance of key sounds very skillfully. he has transferred a piece of electronica into an intense piece of dub techno. >offshore rework< is the counterpart of >byte and scratch rework< being much more ease and repetitive... more in the fashion of some of stefans 10 releases on telrae before

the 7th release on aniara marks the debut of henrik bergqvist from stockholm, sweden. two tracks of no frills, hands-on house, made with unbridled love for music, machines and the simple joy of dancing your ass off. a-side *go for what hurts* is all about the strings and the slamming beat, propelling you into the early morning vibe, while the b-side *spin* has what can only be called a truly irresistible groove. it is the type of track that takes the party from a simmer to a rapid boil!

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

subdivision of construct re-form, the purpose of ars mechanica is to explore a more mysterious side of the electronic music, an oniric and spatial travel, an endless dive into the sound. for this first opus, antigone offers us 4 music parts, 4 travels in the confin of the universe, through stars and nebulas. on arrival: the unknown... black pressing

with a title such as passage17, we can rest assured that reeko wants to take us somewhere, into the depths of something. he wants us to know this long road is rife with a variety of sensations, but more than anything this new release is a journey into something more important that is yet to come. if we want to get there, we must first travel this road.

sampler 2 kicks off with scbs dissipate, a gritty 4/4 number thats been driving dancefloors crazy with its seemingly constantly ascending intro. this is definitely one of scbs finest productions to date and hugely sought after by his followers. basic soul unit provides the aa side, hot off the back of his debut nonplus 12 he continues in the same vein with untoward. this is heads down techno of the finest quality and this time hes thrown some acid into the equation which bubbles and brews into a monster of a track.

if youre going to get someone to remix a seminal record, its a good idea to get someone in love with the source material groove armada, noir and eats everything all fall firmly into this category. chicken lips >he not in< is one of those records that everyone recognizes, even if youre not aware of its name or who wrote it. the bassline is an enduring sound in dance music that everyone knows, and pretty much everyone loves.

elon make with the diy vibes on the smart ep. fans of live jam releases, listen up! on the title track sharp cuts, tight bursts of sound and loose percussion combine into a complex rhythm that is kept in check by a nice tumbling bassline.

bad cop bad cop are underground veteran alex cortex (xx badcop) and glam-tech-hero lopazz (zz badcop), both well-established producers and perfomers for many years with top-credentials on smaller and bigger imprints alike. so different they are in their respective solo-projects, so indistinguishably they melt their unique visions into one flow of effervescent creativity when they hit the studio or stage together.
cd-copy of the full album included.

danse club records continues its journey into 90s us house music with a superb new remix package of 95 norths > let yourself go< featuring remixes from matt tolfrey, moodymanc & brodanse. scott & austen smart aka brodanse are very much tapping into the musical zeitgeist with their recently launched danse club records label.

repress on black vinyl.
after the huge success of the jeudi records friends ep with montes *true* the 5th release of jeudi records is welcoming yet another young gun from hamburg house city. sidney charles is deep into the drivin, energetic jackin house style. his two originals come with strong vocals, dominant basses and a dash of old school flavour. this diversified release is supported by two stylish remixes from re.you and label crew member doctor dru. re.you captures the berlin deep technoish vibe with a heavy tombass and a rare hypnotic groove. doctor drus remix is showing the melancholic and soulful feel of the vocals. perfect for the late summer nights.

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

without army nor rhetoric, dying & barakat are proposing nothing but the ethereal conviction of their senses. floating musical matter, strangely ligatured, convicciòn pours its complex epigenesis, reveals its wefts, searching for its most authentic form, loosing languages, only surrounding its audience towards its curious euphonia. a bizarre composition altering our perception, reaching each mans tempers, inviting into its chinks every sonic metamorphosis: from its aerials peels, oxidized by mtds industrial catabasis, from its chaotic progression, engorged into jeroen searchs inebriant loops, from its blueish layers thicken by mattias fridells cavernous tribal grain. supported by the kind sympathies of: eric cloutier, lee holman, thomas hessler, ben gibson, albert van abbe, philippe petit

the multicultural artist arash (with persian origins) made his first contact with electronic dance music in the mid 90s. mainly influenced by the classic house sound of the 90s and the german electronic music scene around frankfurt, he found his passion to house & techno music. as a teenager he started to spin vinyl and got deeper & deeper into the world of dance music and club culture. after a few years of loving & living he started to host & play on his own parties in the region with his own touch and view of electronic dance music. this was followed by appearances in various clubs and off locations. his dj sets are made of a danceable mixture of groovy deephouse and techhouse. 2011 arash started to take his passion on the next level with shaping his own sound. since then he released tracks on record labels like kiara records (barcelona), bla bla (amsterdam), be real (amsterdam) and night drive music (berlin). arash is definitely an artist to keep a close eye and ear on!

oneoffs is a new sub label under the ever growing local talk umbrella. with oneoffs we have a clear vision to deliver not only one house style but to be very open minded within the whole spectrum of 4/4 rhythms. it is all about being musically curious, free and looking at house music with both retro, current and futuristic specs. so basically dont expect anything, our aim is to surprise you! the first release has three different producers from sweden, ireland and spain showcasing three different styles of house.

for our fourth release, weve decided to go even deeper into mysterious waters of experimental minimalistic club music, bringing you yet another undergound talent from romania - nu zau.

instruction is a new label based in rome. the politicy of label is only vinyl (300 ltd press), we want to expand our concept of underground music and for this reason we start this adventure with hakim murphy. the quality of the sound is the basis of our project for this we prefer products made with analog machine. analog schema of hakim murphy is a trip into industrial chicago. *hyperspace gate* (side a) is a mix of deep and techno chicago sound with space pad and amazing drum. *bumps* (b1) is more static, perfect for a sound dark and full. *throw up (maple ave)* b2 has a more minimal sound, amazing for after-hours psychedelic session ... have a good trip with instruction01!

portuguese troia phonograph kicks off 2013 with a stunning release. pedro goyas music is well known for his past releases on such labels as classic music company, music for freaks, brique rouge, exun, om. the approach is slight different this time (if you are familiar with pedros music). refined, full and risky, that is how we would name it. both tracks are long stories that keep you interested all the way. impressive sound signature, bouncy basslines, tight rhythm section and soul all around turn this record into something that cannot be done by accident or randomly. this is how a deep house record should sound.

after his separation from playhouse in 2007 and the rather longish break that followed it, it looks as if isolee has finally found their new homebase with pampa records. evidence of this may be found in such unprejudiced tracks as taktell, a single extracted from the album well-spent youth. as is tyical for isolee, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage.

the new year reveals a couple of surprises on stil vor talent. among others, we are venturing into the stormy waters of indie-pop with svt096 >keine sterne< by noerd, the labels next extraordinary band project.

for the first circus company record of 2013, our dear old friend julien veniel returns once more to the fold to deliver an ep polished with a cosmic allure that continues our trajectory into the outer realms of house and techno possibilities.

sun shining, the new vinyl of two magics. thats nice housemusic which give you the sunshine into your heart and its made for the dancefloors. sun shining contains a remix by multichannel aka leigh johnson. on b-side is a second house track be free

the famous >warung< and >d edge< club resident and three times best brazilian dj voted paulo boghosian & torquato make the follow up on the new cecille imprint cic records. the ep starts with the massive >fragments< track, crowing synthesizers evolving into talking vocals. ruff but still moody coming the two versions of >silence & rhythm<. great atmospheric tracks with a special touch of deepness and intensity. the second one on the flip is called >whitegen<, mixed deep and tech house at its best